6月22日(日)
10:00~13:00
コンタクトインプロ(コンタクト・インプロビゼーション、
即興ダンス)ワークショップ
ダンス経験は問いません。
希望者はAttuneダンスパフォーマンスにも参加できます。
ワークショップは英語で行われますが、日本語通訳が付きます。
対象:18歳以上。
定員:10名
講師: マルコム・シュート
参加費:1000円
On Sunday June 22, Malcolm Shute will teach a contact improvisation workshop for adults with or without dance experience from 10:00-13:00. Contact improvisation is a dance style in which students partner together, leaning against one another, and providing mutual support. Students should be 18 or older. The Contact Improvisation workshop costs 1000 yen. Participants in the contact improvisation workshop may also dance in the Attune performance from 14:00-16:00.
14:00~16:00
ダンスパフォーマンス:アチューン
自然とテクノロジーの交差点を探求するダンス
観客定員:50名
振付:ステイシー・イヴォンヌ・クレイター、マルコム・シュート、ハイディー S. ダーニング、ダヤ・トミコ、藤本恭子、サラ・カールソン
出演:ハイディー S. ダーニング、ダヤ・トミコ、西谷望、サラ・カールソン、ステイシー・イヴォンヌ・クレイター、マルコム・シュート、野中久美子(能管)、メリッサ・グレコ=リュー、レイチェル・ハルキアス、リンジー・ヘドリック、アメリア・ジャカット、キャサリン・リュー、エミリー・ルー、タリア・メンデス、ジェシカ・マイナー、キャリー・モンガー、アレクサンダー・ショート、ヴィクトリア・ウンターバーガー
チケット:1000円
お申込み:090-1913-9614 (真福寺 満林まで)
Attune brings together artists from Japan and The United States: featuring Heidi S. Durning, Daya Tomiko, Kumiko Nonaka, Kyoko Fujimoto, Sarah Carlson, Stacey Yvonne Claytor, and Malcolm Shute. The event begins with a 3-hour workshop in contact improvisation for adults from 10:00-13:00, and culminates in a live dance performance from 14:00-16:00. Those who attend the improvisation workshop are invited to perform at 2pm. Attune takes place on Sunday June 22, 2025, at the Shinpukuji Temple in Kameoka City 真福寺 亀岡市, Shimokubo-1 Sogabecho Nishijo, Kameoka, Kyoto 621-0028. https://www-kameoka-info.translate.goog/seeing/post_4.php?_x_tr_sl=ja&_x_tr_tl=en&_x_tr_hl=en&_x_tr_pto=sc
Performers: Sarah Carlson, Stacey Yvonne Claytor, Heidi S Durning, Melissa Greco-Liu, Rachel Halkias, Lindsey Hedrick, Amelia Jacquat, Catherine Liu, Emily Lu, Thalia Mendez, Jessica Minor, Carrie Monger, Nozomi Nishitani, Kumiko Nonaka, Alexander Short, Malcolm Shute, Daya Tomiko, Victoria Unterberger
毎年の恒例 として、日本とアメリカのアーティストを結びつける「Attune」。今年の公演では、自然とテクノロジーの交差点を探求するダンスが披露されます.
ハイディー S. ダーニングは「春の海」を発表し、春の海の情景を描きます。 藤本恭子振付の「ジョーホーカタ?」は情報過多の時代が生み出す歪みや緊張感の中、心身のバランスを探求するソロダンス作品です。
ダヤ・トミコはバラタナティヤムを用いて、母性への祈りとして生命を育むエネルギーを表現します。マルコム・シュートの「Waiting Room」は、待つことの落ち着かないエネルギーを描く四重奏作品です。サラ・カールソンの「Imaging Her」は、医療技術と人間の尊厳のインターフェースを探ります。クレイター・カンパニーの「Anemone」は、9人のダンサーが海のイソギンチャクの揺れる触手を表現します。
また、能笛の名手である野中久美子が舞踊の伴奏を務めます。
An annual tradition, Attune bringing together artists from Japan and the United States. The dances in this year’s performance explore intersections between nature and technology. Heidi S Durning presents “Haru no Umi,” depicting the sea at springtime: reflections of the moon on water, ripples, and boats afloat. Through contrasts of stillness and hyperactivity, lightness and heaviness, Kyoko Fujimoto explores the overwhelming tension created by an era of digital overload in “Too Much info?” Daya Tomiko uses the classical Indian dance Bharatanatyam to express the energy that fosters all life in a prayer for motherhood. Malcolm Shute brings “Weight of Days,” a quartet depicting the restless energy of waiting: twitching, shifting, pacing, stretching. Sarah Carlson’s “Imaging Her” explores the interface between medical technology and human dignity: when does science go from insightful to dehumanizing? Claytor Company’s “Anemone” uses nine dancers to create the moving tendrils of sea anemone. Arms unfurl slowly upward in rows, waving in underwater currents. Nonaka, Kumiko, master of the Noh flute, will accompany some of the pieces. Attune performance admission is 1000 yen.
Heidi S. Durning dances between cultures. Her choreography fuses Japanese Classical Dance and Contemporary Dance. She is also an accomplished Classical Japanese dancer under the name Fujima Kanso o. She received her training from the Fujima School of Dance, and her Grand Master is Fujima Kanjuro 8th. Her unique fusion of impulses, along with her passion for working with artists from diverse backgrounds and countries, has resulted in a performance style that is technically accomplished and rich in texture, spirit, and vibrancy. Based in Kyoto, Heidi continues to teach, create, and perform globally. Heidi received her BA in Child Development Education from California State University, Chico, and her MFA in Dance from University of Michigan, Ann Arbor.
Daya Tomiko has performed as a soloist all over Japan, becoming one of Japan’s most famous and representative performers of Bharata Natyam. She not only dances on stage in theatres, but also at temples and shrines, at schools, and occasionally for charitable causes. She is Principal of “Thanmaye-Nathyalaya” the Institute of Indian Classical Dance and a Lecturer in Indian Dance at the Osaka University, Faculty of Foreign Languages.
Nonaka, Kumiko (Noh-flute player), graduated from International Christian University, Tokyo with BA (Liberal Arts) in 1986. Studying piano and violin for enjoyment sparked her interest in Japanese traditional music. She began studying noh-flute (a bamboo flute in Noh theatre) with Hiroyuki Matsuda. Performing publicly since 1994, Nonaka has played traditional Noh solo pieces, and collaborated with players of western, eastern, and folklore musical instruments, and traditional and contemporary dancers. She has been invited to many memorial events at shrines and temples, and also performed abroad.
Kyoko Fujimoto, a versatile choreographer, embarked on her dance journey in Japan before gracing stages in Boston and New York City with ballet and musical theater performances. Her ability to infuse joy into movement reflects her creative vision. In her comedy food ballet Flavorland, “Fujimoto expertly captures the joyful experience of devouring a chocolate truffle" (CriticalDance 2018). Beyond dance, Kyoko holds a B.A. in Physics from Boston University and M.S. and Ph.D. in Electrical Engineering from the University of Hawaiʻi at Mānoa. Her fusion of artistic expression and academic/scientific prowess enables her to tackle concepts from opposite ends of the spectrum. For example, her "into the fields," a contemporary ballet quartet, explores MRI - Magnetic Resonance Imaging (2023). Her work not only captivates, but also seamlessly integrates science, offering audiences a compelling intersection. Fujimoto was awarded a FY2025 Arts and Humanities Fellowship Grant in Ballet Dance by the District of Columbia Commission on the Arts and Humanities. www.kyokofujimoto.com
Sarah Carlson is the Founder & Artistic Director of DanceLink, a project-based company which seeks to bridge people, ideas & understanding through the power of movement. Sarah danced professionally for 10 years in NYC with numerous companies including Alexandra Beller/Dances, Brian Brooks Moving Company, Clare Byrne Dance, Paul Mosley Dance and the Metropolitan Opera Ballet. As an independent choreographer, her own work has been presented throughout the US at venues such as the Joyce Soho in NYC, On the Boards in Seattle, and The Yard on Martha’s Vineyard as well as in Benin, Africa. Sarah is a co-director of the Lehigh Valley Dance Exchange & the founder/editor of the Lehigh Valley Dance in Review. Sarah is currently an Associate Professor of Dance at Cedar Crest College and has been on the dance faculty at Lehigh University, Muhlenberg College, DeSales University, and the University of Southern Mississippi. In 2007, she completed a Fulbright Grant studying Vodou ritual dance in Benin, Africa furthering an on-going inquiry into sacred dance forms. In 2008, Sarah founded DanceLink to promote community and to use the wisdom of the body to unpack the big questions, often spiritual in nature. DanceLink’s projects have received funding from the Pennsylvania Partners for the Arts, the Cultural Coalition of Allentown, the Lehigh Valley Dance Exchange, Cedar Crest Performing Arts and the King County Arts Commission. Sarah received a BA in French and European Studies from Connecticut College and an MFA in Dance from the University of Washington. https://www.scdancelink.org/
Stacey Yvonne Claytor is the proud Founder and CEO of C4 Performing Arts School in Fairfax, VA and Artistic Director of Claytor Company, a professional dance company under the C4 umbrella. Stacey is a passionate and dedicated performing artist, arts educator and arts advocate whose work has carried her from classrooms to great performance venues around the world. Stacey studied at the Alvin Ailey American Dance Theater in New York, earned a Bachelor of Arts degree in Theater and Dance from James Madison University and a Master of Fine Arts degree from The George Washington University. Stacey is full of gratitude and thrilled to be returning to Japan for her 3rd year in a row to perform and share work in the Attune Festival. instagram.com/claytor_company
Human Landscape Dance was founded in 2006, and has since brought contact choreography around the world. Specializing in artist partnerships, Human Landscape Dance has given performances, held workshops, and shot video footage in Europe, Asia, and South America, as well as cities across the US and Canada. Noted for “…ingenious choreography and staging...” by the Washington Post, the dances of Artistic Director Malcolm Shute are characterized by intimate portraits of people as they undergo change. Using touch to communicate, bodies mold with their environment to create a collage of images.
Shinpukuji Temple
Shimokubo-1
Kameoka, Kyoto
621-0028
Japan